![]() With this much room to grow, develop, and play, it's not surprising that split seconds of near dance music appear, but disappear just as quickly. This again harkens back to the interplay between sound and space, and the freedom that is given to the listener (and composer as well). Although compiled as 12 separate, individual tracks, there is an unspoken leitmotif that helps to connect the pieces without the entire work needing an overarching sound. This sense of freedom is brought on by the grand trine, and the resultant knowledge and enlightenment is very welcome. WIth minimal direction, the listener is given full rein of the soundspace and can examine aspects as they please. Delivering a great mix between earthly, grounded sounds and atmospheric, ethereal tones, Grand Trine does a lot to build connections between unexpected elements and helps to form a deeper connection to the compositions. Built around the slow accumulation of sounds for the listener, Ümlaut takes his time and allows the sounds to interact with each other, but more importantly, with the silent space surrounding them. Spread over 12 tracks (delightfully mimicking the 12 zodiac signs and houses), Grand Trine is a quiet, but vibrant composition, giving both the pieces and the listener space to understand purpose, be it explicit, implicit, or just a wonderful dream. As above, so below Grand Trine captures the fabulous coincidence of scale that is our macroscopic and microscopic universe. Utilizing a minimalistic approach, Ümlaut complements the heavenly alignment with its small scale counterpart. Based in self-reflection and analysis caused by year(s) long pandemic lockdown, Ümlaut's Grand Trine takes an experimental approach to the wonderful astrological phenomenon of the same name.
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